Art into life! was Vladimir Tatlin’s slogan, and diamond painting that of all the long run Constructivists. Many of the abstract artists in Russia became Constructivists believing that artwork was now not something remote, Diamond Painting Nederland however life itself. Abstraction-Création founded in 1931 as a extra open group, provided some extent of reference for summary artists, because the political state of affairs worsened in 1935, and artists again regrouped, many in London. Ideas have been in a position to cross-fertilize by the use of artist’s books, Diamond Painting exhibitions and manifestos in order that many sources have been open to experimentation and discussion, and formed a basis for a range of modes of abstraction.
The many varieties of abstraction now in close proximity led to attempts by artists to analyse the varied conceptual and aesthetic groupings. By the tip of the nineteenth century many artists felt a have to create a brand new kind of artwork which would encompass the fundamental changes taking place in know-how, science and philosophy. Among the teachers had been Paul Klee, Wassily Kandinsky, Diamant Malerei Johannes Itten, Josef Albers, Anni Albers, and László Moholy-Nagy.
Wassily Kandinsky, 1912, Improvisation 27 (Garden of Love II), oil on canvas, 120.3 × 140.3 cm, The Metropolitan Museum of Art, New York. In an enthusiastic essay on Wassily Kandinsky he had written in regards to the dialogue between the artist and the viewer, diamond painting and the role of art as ‘the educator Diamond Painting Deutsch of our interior life, the educator of our hearts and Diamond Painting minds’. Kandinsky studied in Moscow then left for the Bauhaus. The next extract from The World Backwards offers some impression of the inter-connectedness of tradition on the time: «David Burliuk’s knowledge of fashionable art movements must have been extremely up-to-date, for the second Knave of Diamonds exhibition, held in January 1912 (in Moscow) included not only paintings sent from Munich, however some members of the German Die Brücke group, while from Paris came work by Robert Delaunay, Henri Matisse and Fernand Léger, in addition to Picasso.
